Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT
Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:
- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
walkie-talkie - translation to ρωσικά
[wɔ:ki'tɔ:ki]
радиотехника
радиостанция ранцевая
переносной приемо-передатчик
существительное
сленг
«уоки-токи»
портативная рация
собирательное выражение
переносная рация
![Iberian language]].](https://commons.wikimedia.org/wiki/Special:FilePath/AcabaramSeOsOtariosAd1.jpg?width=200 "Iberian language]].")
![''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds."<ref>Quoted in Chatterji (1999), "The History of Sound."</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.](https://commons.wikimedia.org/wiki/Special:FilePath/AlamAra.jpg?width=200 "''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that \"police aid had to be summoned to control the crowds.\"<ref>Quoted in Chatterji (1999), \"The History of Sound.\"</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.")
![First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.](https://commons.wikimedia.org/wiki/Special:FilePath/BarkerMackaillSills.jpg?width=200 "First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.")
![dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/BlackmailUSWindowCardOndra.jpg?width=200 "dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>")
![Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].](https://commons.wikimedia.org/wiki/Special:FilePath/BroadwayMelodyPoster1.jpg?width=200 "Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].")
![Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].](https://commons.wikimedia.org/wiki/Special:FilePath/Dickson Film Still 2.jpg?width=200 "Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].")
![Woodstock]]'', 44 years later.](https://commons.wikimedia.org/wiki/Special:FilePath/DonJuanPoster2.jpg?width=200 "Woodstock]]'', 44 years later.")
![[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.](https://commons.wikimedia.org/wiki/Special:FilePath/Eric Magnus Tigerstedt.jpg?width=200 "[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.")
![1900 Paris Exposition]] using the Gratioulet-Lioret system.](https://commons.wikimedia.org/wiki/Special:FilePath/Expo1900SoundFilm.jpg?width=200 "1900 Paris Exposition]] using the Gratioulet-Lioret system.")
![Movietone]], together on the same bill.](https://commons.wikimedia.org/wiki/Special:FilePath/JazzSingerAndFox.jpg?width=200 "Movietone]], together on the same bill.")
![Image of sumo wrestlers from ''Melodie der Welt'' (1929), "one of the initial successes of a new art form", in [[André Bazin]]'s description. "It flung the whole earth onto the screen in a jigsaw of visual images and sounds."<ref>Bazin (1967), p. 155.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MDWimage.jpg?width=200 "Image of sumo wrestlers from ''Melodie der Welt'' (1929), \"one of the initial successes of a new art form\", in [[André Bazin]]'s description. \"It flung the whole earth onto the screen in a jigsaw of visual images and sounds.\"<ref>Bazin (1967), p. 155.</ref>")
![Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MadamuTonyobo.jpg?width=200 "Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>")
![David Thomson]] puts it, "sound proved the incongruity of [her] salon prettiness and tenement voice."<ref>Thomson (1998), p. 732.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/PhotoplayDec.jpg?width=200 "David Thomson]] puts it, \"sound proved the incongruity of [her] salon prettiness and tenement voice.\"<ref>Thomson (1998), p. 732.</ref>")
![The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, "in the unforgettable images of this spare and pure story we can discern the effort of an entire nation."<ref>Carné (1932), p. 105.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Putevka v zhisn poster.jpg?width=200 "The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, \"in the unforgettable images of this spare and pure story we can discern the effort of an entire nation.\"<ref>Carné (1932), p. 105.</ref>")
![''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.](https://commons.wikimedia.org/wiki/Special:FilePath/ShowgirlHollywood.jpg?width=200 "''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.")
![amplitude]] of the audio signal at each instant.](https://commons.wikimedia.org/wiki/Special:FilePath/USN16mmSoundtrack.jpg?width=200 "amplitude]] of the audio signal at each instant.")
![''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />](https://commons.wikimedia.org/wiki/Special:FilePath/Westfront 1918 Weber poster.jpg?width=200 "''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />")
[tɔ:kiŋ'piktʃə]
синоним
Ορισμός
Переносная приемно-передающая радиостанция малой и средней мощности.
Βικιπαίδεια
Ра́ция — сокращение от радиостанция.
В 1930-е — 1940-е годы рацией нередко называли любую приёмопередающую радиостанцию, в том числе и стационарную; слово употреблялось и в технической литературе, и в официальных документах, например военной переписке. Сейчас под «рациями» обычно подразумеваются портативные или мобильные приёмопередатчики, предназначенные для оперативной связи, в то время как термин «радиостанция» применяется для обозначения и приёмопередающей радиостанции любого класса, и только передающей (например, вещательные радиостанции), и только приёмной (например, у радиолюбителей-наблюдателей). В официальных документах Минсвязи, ГКРЧ, ГРЧЦ термин «рация» не применяется, употребляются термины «станция» и «радиостанция».
